Meet Jolina

MEET JOLINA

Jolina Petersheim is the critically-acclaimed author of The Alliance, The Midwife, and The Outcast, which Library Journal called “outstanding . . . fresh and inspirational” in a starred review and named one of the best books of 2013. That book also became an ECPA, CBA, and Amazon bestseller and was featured in Huffington Post’s Fall Picks, USA Today, Publishers Weekly, and the Tennessean. CBA Retailers + Resources called her second book, The Midwife, “an excellent read [that] will be hard to put down,” and Booklist selected The Alliance as one of their Top 10 Inspirational Fiction Titles for 2016. Jolina’s nonfiction writing has been featured in Reader’s Digest, Writer’s Digest, and Today’s Christian Woman.

She and her husband share the same unique Amish and Mennonite heritage that originated in Lancaster County, Pennsylvania, but they now live in the mountains of Tennessee with their two young daughters.

I was born on a hot August day in the heart of Amish country. While my family moved to Tennessee when I was only three years old, my childhood was filled with stories of Pennsylvania Dutch ancestors hiding TVs from bishops and concealing permed hair beneath kapps. But this unique heritage did not interest me. Instead, I pouted as my mother divided my waist-length hair into plaits and then forced me to change from purple overalls into a jean skirt and sneakers in preparation to visit our Plain friends—knowing, even at the tender age of six, that this combination was a fashion faux pas. Playing Hide ‘n’ Seek or Kick the Can with my Old Order Mennonite peers, however, I soon became grateful for that skirt, which helped me transition from Southern Englischer to intimate friend.

Years passed. I knew my Mennonite playmates had traded braided pigtails for kapped buns, yet on a visit to the community, I rebelled against my mother’s instructions and arrived with unbound hair. During supper, which was eaten beneath a popping kerosene bulb, the hostess came and stood behind my portion of the bench. She slid out my blue satin ribbon and plaited my hair as I stared into my bowl of grummbeer supp accented with homemade brot.

The winter of my seventeenth year, I returned to the community to visit my once-raucous playmate whose ill health had transformed her into a soft-spoken friend. The whites of her deep brown eyes had yellowed from liver complications. Her family and my own gathered around her bed, which was heaped with spinning-star quilts, and sang hymns whose Pennsylvania Dutch words I did not know, but whose meaning struck my heart with such clarity, tears slid down my cheeks.

One week later, I stood beside her grave, wearing a thick black headband to hide my newly pierced ears with the fake diamond studs that stabbed the tender skin of my neck and gave me a migraine further magnified by jaw-clenching grief. I remember how the somber community huddled around her family as if their physical presence could shield them, not only from the slashing wind and sleet, but from the reality that their dochder and schweschder’s body was about to be placed into the cold, hard ground.

I left for college that summer, almost eighteen years to the day I had been born in Lancaster County, Pennsylvania. I was the first person in my immediate family to attempt a higher education. As I unpacked my flared Lucky jeans and beaded sweaters into wobbling dorm drawers, I thought I was leaving my Mennonite heritage along with a certain broad-shouldered, hazel-eyed man whose father had attended my father’s Mennonite high school. Three years, one death, and two lifetimes’ worth of tribulations later, I realized that I had not lost the precious attributes surrounding my Plain heritage, so much as I had needed to go away in order to find myself. This is my Plain groossmammi on my mother’s side, Charlotte Mummau Grove Miller, at sixteen years old. She passed away shortly after we moved from Lancaster to Nashville, but I will never forget her bone-popping hugs. I imagine the twins in THE OUTCAST, Rachel and Leah, resemble her a little.

In the cool autumn of 2008, I married my broad-shouldered, hazel-eyed Dutchman; thus making my last name as difficult to spell as my first. I kept wearing my Lucky jeans and layering my wrists with jewelry, but I was also drawn to a simple life, reminiscent of the one I had once tried to flee. My husband and I purchased a forty-acre valley nestled at the base of softly rolling Tennessee mountains. Upon moving into the haus my husband built with determination and his own two hands, I began to write a fictionalized version of a story that had once been told to me. A story regarding the power of desire and the reverberating cost if that desire is left unchecked; a story that, shockingly enough, took place in an idyllic Old Order Mennonite community.
  
In Nashville, I was introduced to a genial, white-haired man who was as excited to hear my Dutchy last name as I had been to hear his. He had attended the same Mennonite high school as my father (and my husband’s father) and, as a literary agent, he was interested to read the portion of the story that I had completed. He read the first twenty-five thousand words while flying home from a book festival in Brazil and wanted to read more. I continued to write as my expectant belly continued to grow. Two months after the birth of our daughter, Tyndale House accepted the manuscript, as they were as excited to promote my modern retelling of The Scarlet Letter as I had been to write it.
And so, wearing Lucky jeans (the same pair, actually), chandelier earrings, and with unkapped hair, I continue writing stories about the Pennsylvania Dutch heritage that once brought me acute embarrassment, but has now become a creative outlet with no closing doors. Thank you for joining me on this journey.

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